Wednesday, November 19, 2008

The Time I Kidnapped My Friends And Put Them in Phrases and Meter; or, How to Party Like Edgar Allen Poe

A Young Lady Spied Upon the Sea Shore

White by the moon, the seething shores rise--
shifting stars for two eyes of blue.
Ocean in motion, mirroring night skies,
as a Lady enters Babe's view.

The moon lingers, black and blank above--
midst click-clanking of good -night shoes.
Eyes tinkling tired, thinking thereof,
as Lady bequeaths parting dues.

White by the moon, babe hides in a blink;
To the shore, the Lady does fly.
Cold and brisk winds shade the Babe's ears pink.
Lo' the Autumn frosts of July!

Lady then leans before white water--
supplying her face a wet wash.
Not a Mother, surely a Daughter,
the Lady, now one with sea-slosh.

The ocean that--though in sky--reflects,
a picture for the Babe to see,
shows expression and facial effects--
rolling eyes 'long side angered plea.

Then Lady adjusts her composure--
stomach constricted and tightened.
Readying wits to face exposure,
her stance is forcibly lightened.

As Lady treads away from the shore--
a child's mind is left to thrive.
Shown, she was, how to cope from one's core,
to react else feel half-alive.


A Boat, a Boat, a Lonely Boat

Far far away, see the torrent wave--
a fretted wall of silver concave.
Crash crash with wild weed overgrown
upon shooting cliff and crumbled stone.

But right to the right, see the ripples still.
In waste wood, a boat; by its own free will.
The loneliest lonely, a boat afloat.
In water of wild, a boat remote.

No mast, no sails, and nothing atop--
not even a paddle or oar.
Seemingly anchored beneath water's top;
no one and nothing to explore.

A boat, a boat, a lonely boat,
it moves but it can never moveth on.
It welters like a human thing--
wants to sail, but is still in the dawn.


A Warning For You Who Will

Shh! Listen carefully, you who will.
The cold wind blows like wolves on a hill.

See there! Look carefully, you who will.
The ivory trees have been frozen still.

Ahh-hah! Yell carefully, you who will.
Snow leopards listen for their next kill.

Brr-brr! Touch carefully, you who will.
Glistening ice will give you a chill.

Beware of the Winter, you who will.
It brings discontent and makes one ill.


The Picture of An Hour, Fixed In A Frame

A single grain, fixed in a frame, falls though the hourglass--
Till by a billion others it is swallowed.
Grain by grain, the sand shimmers and shines as it makes its pass;
picture of an hour, no others followed.


About The Poems:

A Young Lady Spied Upon the Sea Shore, A Boat, a Boat, a Lonely Boat, A Warning For You Who Will, and The Picture of An Hour, Fixed in A Frame are all original compositions of mine written during the my Spring 2008 semester of my senior year at Truman State University.

A Young Lady Spied Upon the Sea Shore is a poem that was inspired by the unfettered spirit of a near-and-dear friend of mine at Truman State University. In fact, I'm sure that her shrewd understanding of civility coupled with her passion for theatrics is something will continue to delight and inspire me for years to come. The setting for the poem is a place from my childhood; a vast ocean-like shore on the banks of Lake Rhinelander in Wisconsin.

A Boat, a Boat, a Lonely Boat is a somber poem about depression, loneliness, and apathy. I was inspired to write it after failing desperately to help a friend of mine through his or her healing process with depression, using knowledge from my own experience. The ship bobbing on the water is representative of the human heart beat, and the poem suggests that one must look to their own heart in order to brave life's turbulent waters.

A Warning For You Who Will is simply a whimsical poem that I wrote in an attempt to author my dislike of the winter season using various senses.

The Picture of An Hour, Fixed in A Frame is a poem that I started when I was in high school, but didn't finish until college. I have a natural curiosity about physics and time, and as such, own a small collection of odd time-measuring devices. I would give myself exactly one hour of free time each day in high school to do whatever I wanted. Most of the time this was writing, reading, or drawing. I used an antique hour glass that my father gave me to keep me on time. One day I decided to write a poem about the object that I spent an hour with each afternoon.

In which a shadowy freedom fighter known only as "E" uses intellectual terrorist tactics to fight against her totalitarian society.


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